Katika - contemporary artist.
Born in Hungary in 1989, she moved much time in her childhood. She creates around themes of contrast, transformation, the connection between humans, objects and ideas, the conflict between form and content, old and new, practical and impractical, rational and irrational.
Katika’s world is filled with connected images, with longing for warmth and human connection, with reflections on the nature of fame, icons of the past and present day, with frail remnants of fame and greatness, represented with stray threads and fading colors. Taking advantage of crochet art, Katika uses the audience’s perception of crochet pieces as harmless, cozy, practical items of décor or clothing, to create a seeming contradiction between the form and the content of every piece. The feeling of frustration, felt by the audience, seeing impractical works of art under the guise of relatively practical handiwork.
The artist herself describes her creative process in such words: «I go farther and farther along my life path, reach out into chaos, pull a thread out of it and spool into an incredible skein and then create my art. Sometimes I make beautiful pieces. It does not have a practical use but exists to make your life brighter, to make amuse, and to captivate you. I should not be careless, because you feel angry and slow your pace.»
2019 – Transformer House, “Electro Yarn”, Moscow, Russia
2019 – The Innovative Cultural Centre, “Ties”, Pervouralsk, Russia.
2017 – Gallery of Modern Art, “We are all connected”; Yekaterinburg, Russia. online visual tour
2016 – “LES” café in the Museum of Moscow, “Affection”, Moscow, Russia.
2015 – Gallery of Warmth, “Katika”, Yaroslavl, Russia.
2015 – art studio “Vault”, “Katika’s crochet portraits”, Yekaterinburg, Russia.
2014 – Hitomaruichi Art Gallery, “Fragments of the face”, Tokyo, Japan.
2012 – Gallery of Modern Art, “Chronicle of a modern factory”, Yekaterinburg, Russia
Selected group shows:
2019 - The DAM Gallery "Eight Women Pulling at the Threads of Social Discourse" Miami, USA.
2019 - Artstartup100, Tokyo, Japan.
2019 – Punto Mamma and Un Filo Che Unisce, “Yarn Bombing Day”, Trivento, Italy.
2019 – TMC for Children, “Yarnbombs”, Tucson, AZ, USA.
2019 – W&P Gallery, “Sweater for the electric-transformer house”, Moscow, Russia.
2017 - Bernice Steinbaum Gallery, “Threads of Connection”, Miami, USA.
2017 – The William Street Gallery, “Thread and Colour – 2”, Sydney, Australia.
2017 – Izo Art Gallery, “Art Marathon”, Moscow, Russia.
2016 – The William Street Gallery, “Thread and Colour”, Sydney, Australia.
2013 – Gallery of Modern Art, “Night of Museums 2013” Yekaterinburg, Russia.
2013 – Ural State University of Architecture and Art, Exhibition of students’ works, Yekaterinburg, Russia.
2012 – Gallery of Modern Art, “Night of Museums 2012”, Yekaterinburg, Russia.
2011 – Ural State University of Architecture and Art, Exhibition of students’ works, Yekaterinburg, Russia.
2010 – Ural State University of Architecture and Art, Exhibition of students’ works, Yekaterinburg, Russia.
“Painting in yarn”, Simply Crochet, issue #72, 2018, p. 52-53.
“We are all tied”, Russian Gallery XXI, issue #4, 2017, p. 46-51.
“With whom are you connected?”, Elite block, issue #6 (overall 124), June of 2015, p. 61-64
“Crochet Art”, Lena: handiwork, November of 2015, p. 25
George Take 2